‘As the celebratory blips and pieces of Polaroyced subside, Werner gingerly mumbles thanks into an iPhone app and they recede from whence they came. However their impression is lasting; their impact remarkable: for while other electronica kinds trace small steps toward inevitable disintegration, Mouse on Mars continue to hop from one of its innumerable subgenres and then onto its most stylistically far-flung, making giant leaps toward an ever-intriguing future all the while.’

Dots & Dashes review German electronica stalwarts Mouse on Mars in Shoreditch catacombs…